By guest blogger Sandra Moore Williams
“It’s good to share the shameful secrets of our vast fears of inadequacies. Shared, outed shames aren’t nearly as powerful as secret ones.” — Sandra Moore Williams
I’VE FOUND THAT whatever I designate as my make-a-living occupation automatically becomes my paralysis factor. I procrastinate, worry about it, feel inadequate doing it and in general sabotage myself on it. I lock myself down and freeze up in that area. No wonder my hips and legs locked up so I couldn’t move! The body takes things so literally! I always feel like I’m on probation with my every output scrutinized by a crabby overseer who doesn’t like me.
I can find a million and one ways to distract myself. I enjoy working around the house and in the garden. If I decided landscape designer or home stager or interior design was my designated make-a-living work, I’d stop doing it. Argh!
I’m slowly learning to stop demanding absolute perfection of myself before I can do something. (How can we learn if we don’t make our mistakes and grow into proficiency? Tell my subconscious that. It thinks that wisdom applies to others only.) The myth that writers or artists are born, not educated into the field is one that I bought into long, long ago. I took a correspondence writing course in my early 20s. One of the founders on the board of the school was quoted as saying “Writers are born not made. Either you’ve got it or you don’t. No one can teach it to you.”
I was furious. I felt frauded and wrote a nasty letter to the school about her comment and quit. In truth, I was afraid she was right and I was wasting our money trying to learn something that couldn’t be taught. The school never replied. I ignored my real life, in-front-of-me teachers in high school and college who praised my writing and called me talented. What did they know?
The ways we fraud ourselves!
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Sandra Moore Williams is a popular face reader and author/illustrator of Faces: What You See is What You Get. She’s my friend and my favorite mother-in-law. Sandra is currently writing a novel; she’s also an illustrator, painter, book designer, astrologist and she cranks out a mean cranberry salad. (Whew! Talented lady.) She’s the author of an e-book created at my special request, entitled Face Reading for Writers, which is an enrollment gift for students of the Fear of Writing Online Course.
Good thoughts here. I’m much the same way. I can work on something for a long while…until I decide, “Hey, this is what I’ll do for my occupation/career/work.” And then I come up with ten other things I could be doing to keep me from the task at hand. It’s like our brains can’t grasp, “this is my job,” so it starts being the saboteur.
I also agree that writers are not born. I believe we create ourselves. We may have some natural tendencies for being better wordsmiths than others, but the truth is learning to be a good writer takes time and much effort. Musicians may be born with a good ear and can pick up an instrument and find the notes they hear, but they still have to train their fingers (and their brains) to where those notes are.